备注:已完结
类型:伦理片
主演:安吉拉·莫雷纳 Denise Esteban Denise Esteb
语言:他加禄语
年代:未知
简介:安吉拉·莫雷纳饰演前往日本寻父的女人,而这片樱花之地似乎与她想象的不一样,为了谋生,她不得不选择了脱衣舞女的职业...
备注:已完结
类型:伦理片
主演:伊莎贝尔·莎露妮 Alba Solís Víctor Tasca Os
语言:西班牙语
年代:未知
简介:阿根廷性感女神Isabel Sarli 最出名的一部CULT影片。Isabel Sarli 在《Carne》中饰演 Delicia,一名肉类冷藏厂的年轻处女工人。在影片中,她一次又一次地在冷藏车后面被几个粗鲁的工友强奸,直到她的男朋友救她时才稍稍晚了一步,她的男朋友是唯一一个能透过她“美味的肉”看到她纯洁灵魂的男人。一部“媚俗”的杰作。Delicia (Isabel Sarli) 是一家肉类包装厂的工人,她在那里成为强奸犯的受害者。在她与男友做爱后,她被工人们轮奸,工人们在冰箱里放着一张冷冻牛尸体的床作为强奸地点。她的情人是一位涉足绘画的理想主义艺术家,他发现了这一侵犯行为,并在一场激烈的拳击比赛中对罪犯进行了报复。影片中充斥着荒谬的对话,特别是在强奸之后的一个场景中,两名男子走近德利西亚,她问道:“你们到底想干什么?”
备注:已完结
类型:纪录片
主演:谢恩·阿特沃尔 RhysBailey AnikaBoyle Chris
语言:英语
年代:未知
简介:WithStrangerThings:TheFirstShadowlaunchingitsfirstpreviewperformancetonightonBroadway,NetflixhasannouncedBehindtheCurtain:StrangerThings:TheFirstShadow.Followthecastandcrewastheyraceagainsttimetopreparetheambitious,criticallyacclaimedWestEndstageplay,whichopenedatLondon’sPhoenixTheaterinDecember2023.StrangerThings:TheFirstShadowiswrittenbyKateTrefry(“StrangerThings”),basedonanoriginalstoryby“StrangerThings”creatorstheDufferBrothers,JackThorne(HarryPotterandtheCursedChild),andTrefry.ServingasastandaloneprequeltothehitNetflixseries,theOlivierAward-winningplayisdirectedbyStephenDaldryandco-directedbyJustinMartin.
备注:已完结
类型:欧美剧
主演:伊芙·迈勒斯 布拉德利·弗里加德 Kevin McCurdy Lace
语言:英语
年代:未知
简介:伊芙·迈尔斯饰演的费斯·豪厄尔斯回归了,她试图从自己的婚姻破裂中走出来,同时接手了一桩情感上令人痛苦的医疗案件,涉及一个重病的小男孩。 布拉德利·弗雷加德饰演埃文·豪威尔斯,马克·刘易斯·琼斯饰演史蒂夫·巴尔迪尼,与奥利维尔奖获奖演员西莉亚·伊姆里(《维多利亚·伍德:电视上所见》、《晚餐女士》、《最佳异国情调玛丽戈德酒店》)一起出演第三季。 Matthew Aubrey(《达格南制造》,《我们的福音》),英国电影和电视艺术学院奖获奖女演员Sian Phillips,以及主持人兼演员Shaun Fletcher也加入了演员阵容。 keep Faith最初是由S4C开发的Un Bore Mercher。由Vox Pictures与APC和Nevision联合为BBC威尔士和S4C制作。由皮普·布劳顿和朱迪丝·戴恩执导,马修·霍尔和皮普·布劳顿编剧,皮普·布劳顿和Llyr Morus制作。
备注:已完结
类型:科幻片
主演:Margarete Sch?n Theodor Loos Paul B
语言:其它
年代:未知
简介:Wunder der Sch?pfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Sch?pfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.