备注：已完结
类型：剧情片
主演：库尔特·拉塞尔 派翠西娅·克拉克森 诺亚·艾默里奇 肖恩·麦卡恩 肯尼
导演：加文·欧康诺
语言：英语
年代：未知
简介：1979年，陷入越战和冷战的美国，没有在科技大发展时代得到重生，反而滑向了信心危机的困局，“美国精神”发生了动摇。赫伯·布鲁克斯（库尔特·拉塞尔 Kurt Russell 饰）是带领明尼苏达大学冰球队夺得三连冠的功勋教练，在冬季奥运开赛的半年前，赫伯受命组建并训练新一届美国冰球队。当时苏联冰球队在国际上占据绝对统治地位，六十年代以来连续夺得奥运金牌。在赫伯组队伊始，他就把苏联作为最终对手看待。赫伯从各大学召来优秀冰球选手组成了一支26人的初选队，在严酷的训练中，这些非职业队员们形成了一个真正有战斗力的团体。奥运揭幕前三天，美苏两国冰球队进行了一场热身性质的比赛，美国队虽然落败，但赫伯和他的队员们都清楚，真正的较量在奥运会上…… 本片根据1980年盐湖城冬奥会上的真实故事改编。
备注：已完结
类型：喜剧片
主演：尼勒姆·法鲁克 克里斯托夫·玛丽亚·赫布斯特 哈沙·阿库坎 恩斯特·施
导演：宋克·沃特曼
语言：德语,阿拉伯语,法语
年代：未知
简介：法律系新生奈玛上课迟到，被毒舌教授里夏德抓包。里夏德千般挖苦，引发校内声讨。这时，一个“洗白”的机会从天而降：如果里夏德帮奈玛准备辩论赛，或可为纪委会调查争取些余地。里夏德不情愿地接下这个“烂摊子”，但很快，他便觉得面前这个一身反骨的女孩不简单。出身迥异、分歧诸多的他们，面对诸多强劲对手，能否师生戮力同心，夺下最高荣誉？《最强辩手》是凯撒奖提名法国电影《才华横溢》的德版翻拍片，讲述一位移民女孩自强自信，在辩论台上愈战愈勇，追逐人生理想的故事。在第72届德国电影劳拉奖上，《最强辩手》与《库尔纳兹诉小布什》《伟大的自由》一同角逐最佳影片奖。演员妮拉姆·法鲁克凭借本片夺得2021年巴伐利亚电影节最佳女演员奖。
备注：已完结
类型：剧情片
导演：Damián Romay
语言：英语
年代：未知
简介：一名摄影师在火车站台上与一名女子擦出火花，随后在报纸上刊登了未联系的报道，但却再也没有收到她的消息。五年后，他们在去参加同一场婚礼的路上再次相遇——那是她的婚礼。
备注：已完结
类型：剧情片
主演：托马斯·多赫蒂 琪琪·莱恩 梅兰妮·尼科尔斯-金 Brady Stab
语言：英语
年代：未知
简介：故事讲述了一位陷入低谷的创作型歌手，在南达科他州的一场摩托车集会上最后一次努力演出，在那里她遇到了很久以前放弃梦想的吉他手凯西。
备注：已完结
类型：科幻片
主演：Margarete Sch?n Theodor Loos Paul B
语言：其它
年代：未知
简介：Wunder der Sch?pfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Sch?pfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
